High Hopes strength is its varied arrangements. These arrangements provide just enough ornamentation to keep the songs from sounding stale. Yet, the production also shows restraint. This restraint prevents the songs from being buried under a blanket of production effects. The opening title track ‘High Hopes’ provides a prime example. This track begins with a polyrhythm that is uncharacteristic of a Springsteen composition. This rhythm propels the song and it, along with the track’s horns, keeps this song sounding fresh. Yet, the song retains a traditional Springsteen-esqe core that would be at home on the 1980’s Tunnel of Love.
Throughout his history, Bruce Springsteen has had the services of two outstanding guitarists, Nils Lofgren and Steven Van Zandt, to compliment his own guitar prowess. This record features those East Street Band regulars along with the ex-Rage against the Machine guitarist Tom Morello. Tom Morello is featured on all but one of the album’s tracks. Morello’s contributions add an additional texture to the two new versions of previously released tracks, American Skin (41 Shots) and The Ghost of Tom Joad. The latter song is a studio recording of the arrangement previously available only on the live EP, “Magic Tour Highlights”. The transformation of the originally acoustic Tom Joad by Springsteen and Morello is akin to the transformation by Hendrix of Dylan’s All along the Watchtower. This new arrangement powerfully expresses the anger, frustration and longing for justice that lies at the heart of this song. It is the highlight of the record.
If you are Bruce Springsteen fan, you should give High Hopes a listen. You will not be disappointed.
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